Kawayan de Guia engages with socio-political issues and colonial histories, expressed through painting, installation, and sculpture. He is deeply embedded in Cordilleran culture and interested in the heritage and indigenous cultures of the region. De Guia is also a curator and organiser of activist projects featuring artists of his community. De Guia has participated in numerous exhibitions across the Philippines, Australia, Japan, Hong Kong, France, amongst others. His recent institutional shows include: the Sharjah Biennale, United Arab Emirates (2019); 9thAsia Pacific Triennale, Queensland Art Gallery | Gallery Of Modern Art, Australia (2018); Sunshower: Contemporary Art From Southeast Asia 1980s To Now, Mori Art Museum / The National Art Center Tokyo, Japan (2017); Stones, Souls And Songs, Parasite, Hong Kong (2017); After Utopia, Singapore Art Museum (2015); and Secret Archipelago, Palais De Tokyo, Paris, France (2015). In 2009, he received the prestigious Thirteen Artists Award, from the Cultural Centre of the Philippines. In addition, he has been a multiple winner (2011, 2008) and finalist (2013, 2010) of the Ateneo Art Awards, Philippines; a finalist of the Signature Art Prize, Singapore Art Museum (2011); and currently a finalist of the 2021 Sovereign Asian Art Prize.

 


Selected Artworks

Kawayan de Guia

Weapons of Mass Distraction, 2007

Mixed media, acrylic, pencil, collage, wood on canvas

115 cm x 119 cm
Kawayan de Guia

Premonition and Shadow of Grace, 2009

Cyanotype, found objects

74 cm x 61.5 cm x 6.5 cm each
Kawayan de Guia

Horse, 2011

Film Tape

223.5 cm x 238.8 cm x 81.3 cm
Kawayan de Guia

Trojan Horse, 2011

Single-channel video, no sound

1 hour, 42 minutes loop
Kawayan de Guia

Self and the Other, 2012

Mixed media

168 cm x 164 cm
Kawayan de Guia

Bomba, 2015

Mirror bomb

150 cm x 58 cm, 15 kg
Kawayan de Guia

Behind the Scenes of "End of Civilization" #7, 2021

Mixed media

170 cm x 192 cm x 10.5 cm